Showing posts with label allandavisjr. Show all posts
Showing posts with label allandavisjr. Show all posts

Saturday, May 25, 2019

What Makes a Villain?



Excellent post by Declan Finn over at Superversive.


Hey, just because the character slashes someone’s throat and watches their lifeblood coming out of them in spurts, chuckling manically, doesn’t necessarily make them a bad guy. Though it could make them a fairly scary good guy? (If you ever get the chance, look up the first Mr. Moto film with Peter Lorrie. He plays a Japanese man in the 1930s, just as everything goes to Hell in the Pacific.  You seem him kill people in what looks like cold blood.  He always wears black gloves, black coats, and he always looks sinister. You have no idea what side he’s on until the very end.)
On the other end of the equation, there are people who try to tell me that MacBeth was a tragic hero … Really? That’s like saying that all of the murderers caught by Columbo were heroes, as opposed to a murder mystery told from the killer’s point of view. Here’s a lesson to being a writer: if you’re trying to make your hero tragic, don’t give him a body count in the triple-digits that includes innocent women and children.
My point: you don’t need a bad guy to be crazy for him to be evil. Nor do you need a sadist, a rapist, a pervert, sex-fiend, or Jack the Ripper.

Friday, May 24, 2019

Cataline on Game of Thrones



Cataline Sergius has an excellent observation on fantasy vs horror.

But heroic fantasy is all about the action. It’s about battle and the being in the now that comes from knowing you are on a three day roller coaster ride and it has no tracks. The feeling of triumph from looking at the body of a guy who was doing every fucking thing in his power to end your life and you made him fail that...
...But here is the thing about horror. It’s all powerlessness. Whatever is after you has all the power. It’s all about the build up and your protagonist’s coming dread as he realizes there is nothing he can do to defeat the thing that is coming for them all. It’s all about fear and powerlessness. 

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Friday, February 16, 2018

The Star Wars that Should Have Been


The incomparable John C. Wright pens a review of the Star Wars sequel the fans wish had been made...

The twin errors any sequel in any genre must avoid are these: first, the sequel must not violate or overturn anything established in the original, including taking care to continue with themes, story elements, characters and backdrops the audience expects; second, the sequel must not cling too closely to the original, nor be content merely to repeat story elements.
You cannot simply have the rebels still fighting the selfsame Empire they defeated in the last movie blowing up yet another iteration of the Death Star. That would be ridiculous! 
...It is something of a paradox, since the audience wants the same story that they liked the first time, but not done in the same way.
The cleverest and most satisfying way I have ever seen a writer answer this paradox was E.E. Doc Smith, when he opened GRAY LENSMAN with the startling revelation that the villainous space pirate king, Helmuth, slain in climactic combat at the end of GALACTIC PATROL, was himself merely an agent of a larger, deeper, darker group.
Now, of course, this tradition is not new to EE Smith. Beowulf, after slaying Grendel in the golden hall of Hereot, is permitted no long rest, but must descend into an accursed swamp to fight Grendel’s Mother, a monstrous hag tougher than the first monster.
In this way, the hero, or the hero’s heirs or disciples, is, in effect, fighting for the same cause and against the same foe, but the significance of the first victory is not diminished. Instead, the scope is larger, and the battlefield gets bigger.

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Wednesday, February 14, 2018

The Publishing Industry



Jon Del Arroz explains--probably a lot better than I ever could--why I chose to focus on self-publishing instead of trying to get in with big major publishers.  This is in regards to a memo DC comics sent out to their employees and freelancers regarding what was "okay" to say on social media.
Of course some people's mean spirited speech will be more equal than others.
DC wouldn't hire me in a million years, because I don't toe a company line, I am an independent thinker, and they don't allow those in t he comic industry. It'll be interesting to see how it goes later this year when my The Ember War adaptation hits amazon. If/when that sells well, what then?
Even a smaller publisher like Angry Robot doesn't care about anything other than their political signaling. They didn't even dignify me with a response when I emailed Mike Underwood about The Stars Entwined, which I'll be putting out March 20th. Of course, I'm blocked by him on twitter -- despite sharing a drink with him at a convention several years ago. It's all about the political signaling, even if I outsell the vast majority of their titles already...
This is why it's imperative to build your own platform if you want to have any semblance of free speech. You can't do it through these companies, they'll never let you. They hate you at the end of the day, and this is how they begin to show it.
"Build your own platform."  Excellent advice, and definitely worth listening to.

Vox Day commented on the same memo, and nailed down the problem; as usual, "what's okay for me is not okay for thee."

This is why SJWs always prefer nebulous Codes of Conduct and Community Police to clear, objective guidelines that can be impartially applied. You see, the "rules" are supposed to be applied only to those who violate the Narrative, while allowing complete freedom of action to the SJWs.

As a non-leftist, free speech and anti-censorship, straight white male, who has written for Lew Rockwell and works at the Mises Institute, I'm fairly well convinced that anything I did try to submit to the big publishing houses would hit the round file faster than you can say "censored."  I will continue to follow the advice of Jon and Vox and grow my own platform.

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Friday, January 19, 2018

The Murder of the Sword and Sorcery Genre


Jim Fear makes some excellent points.

Nobody who doesn't really care about your pet issue is going to think it's anything but you preaching, and that isn't what they came to sword & sorcery for. They came here to watch good guys bash bad guys (or at least reasonably okay guys bash bad guys), airship pirates conducting daring raids, wizards of vast and deadly power hurl spells, monstrous creatures eating people, underwater kingdoms threatened by ancient evil, unthinkably valuable artifacts stolen by intrepid thieves, and on and on the list goes of things you could be doing rather than putting people to sleep with your boring message fiction that seems to be trying to take up the majority of fantasy literature these days.

I've said something similar in the past; if your story is more focused on "the message" than "the plot," then you are preaching instead of telling a story.  And the only people who don't mind being preached at are the already converted--to whom preaching is a total waste of time anyway.

Thursday, January 11, 2018

Looking forward to Arkhaven!



As a long-time comic book fan--heck, I can remember when the entire X-Men team was made up of five white teenagers and their bald mentor--I'm definitely looking forward to Castalia House's new comic book imprint.  They've got scads of comics raring to go, starting with Quantum Mortis and expanding from there.  Check them out!

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Tuesday, January 9, 2018

Worldcon: Arroz is in good company

Jon Del Arroz discovers there is a historical precedent set by Worldcon to ban people they didn't want speaking.

The Futurians were kicked out of the first Worldcon because organizers feared that they would distribute communist propaganda. The group included a number of luminaries including Asimov and Pohl.
Because  of their fear of not Asimov hurting anyone...but spreading political ideas that they found too dangerous for the times...WorldCon banned Isaac Asimov.
The implication is clear. The elites in science fiction believe I have the potential to be the next Asimov. They want to ensure I’m deplatformed as much as possible because they fear the influence I’ll have politically to change their stodgy, outdated culture, which would change science fiction into something that’s thriving and fun. In the process, they’d lose their control over the kinds of stories that are published.
...that's the kicker, isn't it?  Somehow, it always comes back to the gatekeepers.

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Thursday, January 4, 2018

Retro-Rocket Review: The Funniest Star Trek Novel Ever




I have been reading aloud to my kids for more nights than I can count.  We started bedtime books when the eldest was nine...and that kid now has a PHD.  We still do bedtime books now, when the youngest is 12.  We have read the Narnia books, and the Tolkien books, back-to-back-to-back, and with the possible exception of some of the Percy Jackson books and two or three of the Myth Inc. books, none of them has had my kids rolling on the floor as much as How Much for Just the Planet.

Think about it.  Federation prospector ship and Klingon battle-cruiser discover a huge deposit of dilithium on a planet, simultaneously.  The Federation crew is forced to abandon ship, sending it on to contact the Enterprise.  However...the ship's computer is malfunctioning, and as the escape pod leaves the ship, the food replicator begins spewing out an unstoppable flood of peppermint milk shake.

It only gets weirder from there.

Then, when both the Enterprise and the Klingon cruiser Fire Blossom arrive to negotiate for the rights to the dilithium, the natives decide to make their point...musically.  The book reads like a Gilbert and Sullivan musical, with the crews of both ships being dragged along on one misadventure after another.

Fun, laid back, refuses to take itself seriously.  

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Thursday, July 10, 2014

The Teller of Tales

I was in Boy Scouts growing up, and living in Arizona, one thing we did every year was a week at summer camp. Camp Geronimo. in Payson, Arizona; I think I lived there a grand total of seven weeks or so, spread across six years. This would have been in the age of Star Wars--late seventies, early eighties. There was a man there, a camp counselor, who had long wild hair and wore a dark cloak. I never found out his real name...I only knew him as “The Teller of Tales.” He was the camp storyteller, if his title didn’t make that obvious. At the end of every campfire, as the bonfire was burning down to coals, he would come striding through the smoke, stand between us and the fire, and regale us with a story of some kind, purely from memory. He held us captivated. That was the first time I ever heard “The Most Dangerous Game” and “The Monkey’s Paw.” I think there was another one, about a gorilla trained as a servant by tormenting it with an alligator, and over seven trips, I have no doubt I heard him tell other stories, but these are the ones that still stick to my brain. I remember being fascinated by his ability to mesmerize us with words. No papers, no script, no dramatic flair or wandering around the campfire...just standing there, leaning on a walking stick, telling the story...letting the words do the work. One time I worked up the nerve to approach him. I think he was judging the Big Splash competition, and during a break, I walked up, introduced myself, and invited him to our troop campfire. He was friendly, and gracious, and happy to show; I introduced him myself, and I think that was when he told “The Monkey’s Paw.” Like I said, I never knew his real name.


A couple of weeks ago, our church asked me if I would like to read a children’s story. The church service starts with music, greetings, a song--and then a story for the kids. After the story, they go off to their Sunday School activities while the adults move on with the regular service and sermon. I volunteered to read the occasional story to the kids months ago, but this was the first time they took me up on the offer. “What would you like me to read?” I asked. “Oh, we can give you seven or eight minutes, do you have something you would like to read?” Well...I had this children’s book I wrote a few years ago, called “Quinn in Trashland.” I did a test reading and came up with over twelve minutes, obviously way too long. I warned them that it was a bit long, but that I would cut it down as requested. “Quinn” would be my story to the kids. MsQuill and I sat up late into the night, carving pieces out, trying to bring it down to the requisite time...and failing miserably. We were starting to cut out pieces that I thought were critical to the fun of the story. Finally, I decided, I wasn’t going to savage my story just to make it fit their timeframe. I was going to just *tell* it. I threw out all the papers. I got rid of the script. I sat down in front of the podium, right down there with the kids, and I told “Quinn in Trashland” straight from memory. Oh, I have no doubt I left out some stuff. Possibly some of the good stuff, but I doubt it; I think I managed to get all of the important stuff in there. The kids laughed at all the right spots...heck, the adults laughed at all the right spots. I think I kept it down well under ten minutes, rough guess, but I didn’t time it. And they didn’t record it; about the only real complaint was that they didn’t take the time to put a microphone on me. They record all of the services for people who are at home sick and can’t make it, and my story was too quiet to be picked up, so there’s a large hole in the recording for that stretch. Not having a script in your hands *helps* with telling the story. Your eyes aren’t trapped. You can look out at your audience, make eye contact, make a connection...especially with the kids. One little boy kept inching closer and closer as the story went on, until by the end he practically had his head in my lap. After the service, several people complimented me on the story, and one person actually used the words “Teller of Tales.” At that moment, something clicked. I remembered the *original* Teller of Tales, thirty some odd years ago at Camp Geronimo...how he held us spellbound just by telling us a story. And at that point, I realized that this is something I need to do more of. -=ad=-

Wednesday, June 25, 2014

Voice Work

I've been reading stories to my kids for, oh. at least ten years now.  We started with Dr. Seuss, proceeded to Hardy Boys and Magic Treehouse, and very quickly graduated to young adult.  We've read Artemis Fowl, Harry Potter, Percy Jackson, and the Hobbit/Lord of the Rings series, back to back to back to back.

My kids like when I read to them.  I try to spice things up, add some energy to it, apply voices--when I can get away with it, anyway.  ("Daddy, why does Dumbledore sound SO much like Gandalf...?").

Sometimes I overdid it just a bit...like when the six year old ran and hid when the Balrog stepped out of the shadows...*sigh*

But, anyway, I've been told by more than one person (and by more than one person, I also mean more than one person not actually related to me or married to me) who seem to think I know how to read out loud and tell a decent story.  I did high school drama; I worked as a radio DJ for a year or two.  I understand how people don't want to listen to a steady dull boring monotone when someone is reading to them or telling a story.

The new job has a bit of a perk...there's a recording studio onsite.  So, I asked if there was any chance I could, maybe, someday, come in on weekends, and read my own stories, so I could set them up as audio books some time...

...not only did they say yes, they asked if I would be willing to record some things for them, too.  Officially, no less.  "Voiceover work" has been added to my job duties; I get to hide in the recording studio once or twice a week and record essays written for the Mises Institute.

For all of the latest recordings, drop by the Recent Uploads section of the site.  For some of my own most recent work, check out "Even the Feds Admit Minimum Wages Cause Unemployment" and "You Didn't Consent To Be The State's Victim."

Comments, critiques, analysis, suggestions, all welcome...and, of course, should you *need* someone to record your story...*wink*

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Wednesday, September 25, 2013

Introductions Are In Order...

Greetings, and welcome to my humble corner of the Web.

Pull up a rock, warm your hands by the fire, and feel free to partake of the refreshments...except for that cauldron there.  That one probably wouldn't agree with you; it's reserved for...someone else.

Yes, I tell stories.

Sometimes, they're funny.  Every now and then, there's a lesson involved.  More often than not, my stories are simply meant to curl your toes, or tingle the hair on the back of your neck.  Or, perhaps, make you wonder what might be waiting, in the shadows, beyond the firelight, where you can't see...like that dark patch there, behind you, over your shoulder.

I didn't always tell spooky stories, of course.  For years, I avoided anything scary at all, but a friend handed me an H.P. Lovecraft story and an Edgar Allen Poe collection, and I realized maybe "scary" wasn't such a bad thing after all.

You're a little too close to the fire, there.  You might want to back up, just a bit, in case something comes wandering out of it.

I love a good spooky story.  Something with twists and turns, something that leaves you worried about the shadows under the bed, the creatures in the depths, the bump in the night.

...was that a footstep...?

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