Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Saturday, May 25, 2019

What Makes a Villain?



Excellent post by Declan Finn over at Superversive.


Hey, just because the character slashes someone’s throat and watches their lifeblood coming out of them in spurts, chuckling manically, doesn’t necessarily make them a bad guy. Though it could make them a fairly scary good guy? (If you ever get the chance, look up the first Mr. Moto film with Peter Lorrie. He plays a Japanese man in the 1930s, just as everything goes to Hell in the Pacific.  You seem him kill people in what looks like cold blood.  He always wears black gloves, black coats, and he always looks sinister. You have no idea what side he’s on until the very end.)
On the other end of the equation, there are people who try to tell me that MacBeth was a tragic hero … Really? That’s like saying that all of the murderers caught by Columbo were heroes, as opposed to a murder mystery told from the killer’s point of view. Here’s a lesson to being a writer: if you’re trying to make your hero tragic, don’t give him a body count in the triple-digits that includes innocent women and children.
My point: you don’t need a bad guy to be crazy for him to be evil. Nor do you need a sadist, a rapist, a pervert, sex-fiend, or Jack the Ripper.

Friday, May 24, 2019

Cataline on Game of Thrones



Cataline Sergius has an excellent observation on fantasy vs horror.

But heroic fantasy is all about the action. It’s about battle and the being in the now that comes from knowing you are on a three day roller coaster ride and it has no tracks. The feeling of triumph from looking at the body of a guy who was doing every fucking thing in his power to end your life and you made him fail that...
...But here is the thing about horror. It’s all powerlessness. Whatever is after you has all the power. It’s all about the build up and your protagonist’s coming dread as he realizes there is nothing he can do to defeat the thing that is coming for them all. It’s all about fear and powerlessness. 

 -=ad=-

Monday, January 22, 2018

Crowdfunding Comic Books



Check out the new Freestartr campaign.  Comic artist Will Caligan lost his job due to SJW attack, and this crowdfunding operation is to help him out.






...and wow.  Not even three hours in, and the original $7500 target has been reached.



Friday, January 19, 2018

The Murder of the Sword and Sorcery Genre


Jim Fear makes some excellent points.

Nobody who doesn't really care about your pet issue is going to think it's anything but you preaching, and that isn't what they came to sword & sorcery for. They came here to watch good guys bash bad guys (or at least reasonably okay guys bash bad guys), airship pirates conducting daring raids, wizards of vast and deadly power hurl spells, monstrous creatures eating people, underwater kingdoms threatened by ancient evil, unthinkably valuable artifacts stolen by intrepid thieves, and on and on the list goes of things you could be doing rather than putting people to sleep with your boring message fiction that seems to be trying to take up the majority of fantasy literature these days.

I've said something similar in the past; if your story is more focused on "the message" than "the plot," then you are preaching instead of telling a story.  And the only people who don't mind being preached at are the already converted--to whom preaching is a total waste of time anyway.

Wednesday, January 3, 2018

Worldcon Ejects Arroz


That's right, the World Science Fiction Convention committee has decided to "downgrade" the membership of writer Jon Del Arroz from the "attending" level to the "supporting" level.  This comes across as censorship, since Jon has been critical of the industry, and the fact that he's a Hispanic writer speaks volumes also.

In slightly related news, there will be a new set of awards to be handed out around the same time as this year's Worldcon.

UPDATE:  PJ Media has picked up the story.

"With Worldcon's statements about 'intent' to violate their rules, and failure to specify rules, this is a clear targeting over my politics because I'm a vocal Christian and Hispanic Trump supporter," says Del Arroz. "The left claims I should be banned for controversial political opinions, but the only opinion I espouse on a regular basis is that artists should not be blackballed for their politics. That shouldn't be a controversial topic. It is imperative that artists be free from fear of retaliation of their industry in order that they might create great works of art. This is the ultimate free speech issue."

Thursday, July 10, 2014

The Teller of Tales

I was in Boy Scouts growing up, and living in Arizona, one thing we did every year was a week at summer camp. Camp Geronimo. in Payson, Arizona; I think I lived there a grand total of seven weeks or so, spread across six years. This would have been in the age of Star Wars--late seventies, early eighties. There was a man there, a camp counselor, who had long wild hair and wore a dark cloak. I never found out his real name...I only knew him as “The Teller of Tales.” He was the camp storyteller, if his title didn’t make that obvious. At the end of every campfire, as the bonfire was burning down to coals, he would come striding through the smoke, stand between us and the fire, and regale us with a story of some kind, purely from memory. He held us captivated. That was the first time I ever heard “The Most Dangerous Game” and “The Monkey’s Paw.” I think there was another one, about a gorilla trained as a servant by tormenting it with an alligator, and over seven trips, I have no doubt I heard him tell other stories, but these are the ones that still stick to my brain. I remember being fascinated by his ability to mesmerize us with words. No papers, no script, no dramatic flair or wandering around the campfire...just standing there, leaning on a walking stick, telling the story...letting the words do the work. One time I worked up the nerve to approach him. I think he was judging the Big Splash competition, and during a break, I walked up, introduced myself, and invited him to our troop campfire. He was friendly, and gracious, and happy to show; I introduced him myself, and I think that was when he told “The Monkey’s Paw.” Like I said, I never knew his real name.


A couple of weeks ago, our church asked me if I would like to read a children’s story. The church service starts with music, greetings, a song--and then a story for the kids. After the story, they go off to their Sunday School activities while the adults move on with the regular service and sermon. I volunteered to read the occasional story to the kids months ago, but this was the first time they took me up on the offer. “What would you like me to read?” I asked. “Oh, we can give you seven or eight minutes, do you have something you would like to read?” Well...I had this children’s book I wrote a few years ago, called “Quinn in Trashland.” I did a test reading and came up with over twelve minutes, obviously way too long. I warned them that it was a bit long, but that I would cut it down as requested. “Quinn” would be my story to the kids. MsQuill and I sat up late into the night, carving pieces out, trying to bring it down to the requisite time...and failing miserably. We were starting to cut out pieces that I thought were critical to the fun of the story. Finally, I decided, I wasn’t going to savage my story just to make it fit their timeframe. I was going to just *tell* it. I threw out all the papers. I got rid of the script. I sat down in front of the podium, right down there with the kids, and I told “Quinn in Trashland” straight from memory. Oh, I have no doubt I left out some stuff. Possibly some of the good stuff, but I doubt it; I think I managed to get all of the important stuff in there. The kids laughed at all the right spots...heck, the adults laughed at all the right spots. I think I kept it down well under ten minutes, rough guess, but I didn’t time it. And they didn’t record it; about the only real complaint was that they didn’t take the time to put a microphone on me. They record all of the services for people who are at home sick and can’t make it, and my story was too quiet to be picked up, so there’s a large hole in the recording for that stretch. Not having a script in your hands *helps* with telling the story. Your eyes aren’t trapped. You can look out at your audience, make eye contact, make a connection...especially with the kids. One little boy kept inching closer and closer as the story went on, until by the end he practically had his head in my lap. After the service, several people complimented me on the story, and one person actually used the words “Teller of Tales.” At that moment, something clicked. I remembered the *original* Teller of Tales, thirty some odd years ago at Camp Geronimo...how he held us spellbound just by telling us a story. And at that point, I realized that this is something I need to do more of. -=ad=-

Wednesday, September 25, 2013

Introductions Are In Order...

Greetings, and welcome to my humble corner of the Web.

Pull up a rock, warm your hands by the fire, and feel free to partake of the refreshments...except for that cauldron there.  That one probably wouldn't agree with you; it's reserved for...someone else.

Yes, I tell stories.

Sometimes, they're funny.  Every now and then, there's a lesson involved.  More often than not, my stories are simply meant to curl your toes, or tingle the hair on the back of your neck.  Or, perhaps, make you wonder what might be waiting, in the shadows, beyond the firelight, where you can't see...like that dark patch there, behind you, over your shoulder.

I didn't always tell spooky stories, of course.  For years, I avoided anything scary at all, but a friend handed me an H.P. Lovecraft story and an Edgar Allen Poe collection, and I realized maybe "scary" wasn't such a bad thing after all.

You're a little too close to the fire, there.  You might want to back up, just a bit, in case something comes wandering out of it.

I love a good spooky story.  Something with twists and turns, something that leaves you worried about the shadows under the bed, the creatures in the depths, the bump in the night.

...was that a footstep...?

-=ad=-